Afrotronic is the new album by legendary Dutch dance pioneer and producer Eddy de Clercq, inspired by African rhythms and atmospheres.
All songs on the Afrotronic album are influenced by music from Southern to North Africa. Largely recorded in South Africa, not only electronically but also with an instrumentation of typical African instruments played live, such as the mbira (kalimba) and traditional drums and percussion. Exotic instruments adding a fresh characteristic sound to the music, not programmed via any existing electronic soundbank.
The plaintive vocals of a muezzin on 'Ibrahim' and the melody of 'Topaz' are unmistakably North African. The funky dance track 'Miss Ghana (Afro Baby)' is sung by the Ghanaian singer Consular. Although not typically African in origin, the didgeridoo, perhaps the oldest wind instrument on earth, plays the leading role in the North African-inspired instrumental 'A Track Called Africa'.
Inspired by his travels through South Africa and his love for the African languages of that country, Eddy wrote texts that he had translated into Xhosa. 'Coral Reef' was the first song recorded with South African singers Yemu Matibe and Alungile Sixishe, supplemented with classical arrangements for cello and piano. The original English text describes the loss of coral reefs worldwide due to climate change.
Afrotronic has ultimately become an adventurous, electronic, jazzy album, in which influences can be heard from Afro-pop, Dub Step, Deep House and South African Amapiano.
A Track Called Africa (7:55)
Topaz [Original] (4:56)
Rhumba Exotica (5:29)
Miss Ghana (Afro Baby) (6:08) met Consular
African Diamond (6:33)
Ibrahim (5:03)
G-Town (5:10) met Yemu Matibe en Alungile Sixishe
Coral Reef [Original Xhosa Vocal] (6:27)